Chapter 2
Figure 2-4, the Proper Exposure Triangle
Figure 2-5, a -1 exposure with 1/125
Figure 2-6, a proper exposure with 1/60
Figure 2-7, a +1 exposure with 1/30
Figure 2-8, Bulb Exposure Mode
Figure 2-9, Electronic Shutter Release Cable
Figure 2-10, 1/125 freezing a walker
Figure 2-11, 1/250 freezing a jumper
Figure 2-12, 1/500 freezing a car moving at 30 mph
Figure 2-13, snow shown coming down
Figure 2-14, snow eliminated with the proper shutter speed
Figure 2-15, the relative sizes of the f-stops and the apertures they produce
Figure 2-16, a -1 with an f/16
Figure 2-17, a proper exposure with an f/11
Figure 2-19, an f/2 produces a wide aperture
Figure 2-20, an f/22 produces a small aperture
Figure 2-21, an f/2 with focusing on the front number has a very small area in focus.
Figure 2-22, an f/2 while focused on the rear number has a very small area in focus.
Figure 2-23, an f/22 results in a deep depth of field, covering all the numbers.
Figure 2-25, ISO 3200 selected, courtesy of M. Hashimi, GWU MS student
Figure 2-26, ISO 6400 selected
Figure 2-27, lighting with shadows, courtesy of M. Hashimi, GWU MS student
Figure 2-29, distracting shadows over a face, courtesy of M. Hur and J. Buffington, GWU MS students
Figure 2-32, Lens hood on the lens, courtesy of M. Simms, GWU MS student
Figure 2-33, blocking the sun with your hand
Figure 2-34, a blue tint from being in the shade, courtesy of M. Hashemi, GWU MS student
Figure 2-35, tint removed with the use of electronic flash, courtesy of M. Hashemi, GWU MS student
Figure 2-36, late afternoon sun producing an orange tint
Figure 2-37, the true color of the car
Figure 2-40, a green tint from indoor fluorescent lighting, courtesy of M. Hashemi, GWU MS student
Figure 2-42, one example of a color scale, courtesy of S. Dickson and B. Pridgen, GWU MFS students
Figure 2-44, a typical White Balance set of options
Figure 2-45, Reciprocal Exposure
Figure 2-46, the exposure meter continuum
Figure 2-47, the 18% gray card
Figure 2-48, graphic of a Center Weighted Metering system
Figure 2-48, Spot Metering System
Figure 2-49, Matrix Metering System
Figure 2-50, backlit subject metered with an Averaging Metering System
Figure 2-51, backlit subject lit with Fill-in Flash
Figure 2-53, Snow with a +1 exposure
Figure 2-54, Snow with a +2 exposure
Figure 2-55, black fabric as metered, courtesy of J. Wreh, GWU MS student
Figure 2-56, black fabric with a -1 exposure, courtesy of J. Wreh, GWU MS student
Figure 2-57, black fabric with a -2 exposure, courtesy of J. Wreh, GWU MS student
Figure 2-58, as metered with the sky in view
Figure 2-59, metered without the sky in view, then recomposed with the sky in view
Figure 2-64, exposure compensation button indicated by the ‘+/-’ button
Figure 2-65, exposure compensation indicated by a +2 to -2 continuum.
Figure 2-66, an f/16 Sunny Day shadow, with sharp outlines
Figure 2-67, an f/11 shadow, with non-distinct edges
Figure 2-68, a polarizer filter absorbs light
Figure 2-69, the polarizer filter removing a reflection from glass
Figure 2-70, the polarizer filter removing a reflection from water
Figure 2-71, the polarizer filter capturing the true color of adobe tiles
Figure 2-72, the polarizer filter reducing sun glare and darkening skid marks on the top image
Figure 2-73, a 2-stop neutral Density filter
Figure 2-74, a dented UV filter saved its lens!
Figure 2-75, This UV filter took the punishment so the lens did not have to!